Hepzibahs Pendulum Neckpiece gets published!

Hepzibahs Pendulum .. you say?  What's that you say?  Hepzibah was the name given to my maternal great, grandmother we just called her Dais or Daisy Belle.  She lived until she was 92.

 

I named this piece in honour of her.

 

My beading bud (bbbf), who lives in Sydney, Patrick Duggan was invited by Marcia DeCoster to submit designs for a new book Beads in Motion.  I was very excited for Patrick and this opportunity, it got me thinking tho ... hmmm could I design something that actually moved using only beads.  I quickly slipped into Melly World (an annoying state of mind for those who know me, particularly my husband, children and mother).. it is a state of mind that I can 'shut my ears off' and tap into my creative muse.  I sketched out only one design.  Patrick, in the meantime had contacted Marcia to enquire as to whether I might submit work for consideration.  Marcia was delighted with the suggestion so I set to work.

 

My design journal

The concept that I had in mind was a swinging pendulum as an actual neckpiece. I had an amazing faceted 34c Amethyst bead in my stash that I wanted to use as the actual pendulum weight, so the colour way was determined by the use of that single bead (joining Amethyst would be reds and golds). 

 

How to make it swing?  First I bezzeled a divine Swarovski Dentelle in the colour 'Light Siam'.  Size 60ss this sweet baby is vintage and discontinued, consequently a rare beauty.

 

From the Dentelle grew the barrel that the pendulum would swing from.  Next a beaded ring from which to suspend the pendulum. So that the pendulum did not slip around I had to design a chanel for the pendulum to sit within.  The beaded ring, barrel and chanel still had to allow for 'ease of swing' so significant fine tuning of the design was required at this time.  Now how to make it a vision of beauty ie a neckpiece worthy of the Gallery section of the esteemed Master Beader, Marcia DeCoster.  Not daunted I let the design 'rest' whilst my muse delivered the design .. I did not have to wait long.

 

The pendulum and side view of the barrel

The pendulum has to be at the base of the focal, where all good pendulum's are.  I designed a top half of the pendulum using another 60ss Dentelle, this time more heavily embellished and larger to aid in the balance of the focal. 

 

An initial join of the focals, but was abandoned.

The two focals joined using the rope feature

Then the next design hurdle presented itself ..how to join the two components?  I decided upon creating another barrel for the top Dentelle focal, then joining the two with a strap of herringbone.  Joining the top focal and the pendulum focal required the most design time.  Why?  Balance had to be considered, the pendulum had to swing unobstructed and it had to look beautiful.  Days of bead engineering, sampling, undoing, redoing, frustration and a couple of times total dispair as I could not achieve harmony between the focals. 

 

But patiance and engineering prevailed and the two focals were successfully joined and achieved all the target specifications ie to swing and to be functional.  I changed out the length of the pendulum to a shorter version, then created a bead cap to add further weight to add in functionality of the 'swing' factor of the pendulum.

 

Close up of the 34carat Amethyst drop

Next part of the project was to hang the pendulum focals.  I decided on twin strands of Swrarovski pearls and the addition of another two 60ss Dentelles. 



Connector lengthens the neckpiece

Connector removed shortens the neckpiece

 

 

 

 

 

 

 

 

 

 

 

 

Then the clasp.  I am a fan of magnetic clasps, I source the finest and the strongest from around the world.  The magnetic clasps used in this design are gold filled and small. 

 

An addition of a single beadwoven ring of beads sits between the clasp focals which are two, 60ss Dentelles. This acts as a neckpiece connector, ie remove it and the neckpiece is shorter by an inch or so.  Hepzibah's Pendulum required 2 full weeks of beading and designing.

 

An email from Dawn Dillingham arrived this morning from Lark Publishing.  The email confirmed that Hepzibah's Pendulum was selected and will be included in the Gallery of Marcia DeCoster's second book 'Beads in Motion'.  I am so thrilled and I am so delighted.  I am uncertain of the scheduled release date of the book, but it will be 2013.

 

Late last year, 2012 I submitted Hepzibah's Pendulum to the Fire Mountain Beads & Gems, Seed Bead Category contest, which is run annually.  I received confirmation that Hepzibah's Pendulum had been selected for second round judging, she is currently in the USA.  I look forward to hearing how she went.  I will let you know as soon as I do.

 

Patrick informed me today on reading my blog, that he too has had work accepted to appear in the book.  How fabulous to share the pages with my delightful and talented friend. 

Thank you to Patrick Duggan and Marcia DeCoster for this amazing opportunity to share my work with the world.  I am deeply grateful.

 

Happy Beading

Mel

.... currently heading off into Melly World to absorb inspiration for Bead Dreams 2013.

ps you may note that a photograph of the completed 'Hepzibah's Pendulum' is not included in this blog post .. once the book is published I will share a pic.


ps news to hand (April 2013) Hepzibah's Pendulum won the 2012 Bronze Medal, Seed Bead Category in the Fire Mountain Gems & Beads, jewelry contest which is run annually.

 

 

 

 

 

 

 



 

 

 

 

 

 

 

 

Battle of the Beadsmith 2012 - Arabesque Armour

July 10, 2012 was the deadline for submitting entries to the Battle of the Beadsmith.  On the 6th day (ie the 16th) Steven Weiss (Marketing Manager for Beadsmith and Creator of the Event) was still waiting for participants to submit their entries. I had to voice my concern which became 'an issue' but which resolved in time, decisions were made and the Battle proceeded. 

I felt that the participants who achieved the deadline had their effort's undervalued and not respected. A deadline is just that, an end point which must be adhered to plus the contest had 'alternatives' set aside for just this reason.  I totally 'get' that Steven was trying hard to accommodate and support each 'late' participant so that they could submit their respective entries but in doing so he was not supporting those who had submitted on time.  A difficult position to be in.

Battle Cuff

Battle Cuff

Arabesque Armour was submitted as my design entry for the contest, many of the participants began making celebration pieces as a sort of 'relax' piece following the mammoth effort to create and submit their respective entries on time.  I created the  'Battle Cuff' which matched Arabesque Armour.

Voting for Round 1 has well and truly commenced, the results should be released any day now.

Arabesque Armour is largely a cubic right angle woven neckpiece, 49 individually bezzeled vintage 47ss Chatons in Amethyst were carefully beaded, each bezzel takes approx. 30 minutes to complete.  The focal necklace and the choker are joined as one complete neckpiece through the use of a beadwoven clasp and 3 magnetic clasps.

I did want to create the piece so that the choker and necklace could be worn independantly, but this was not to be as I simply ran out of time.

The Chatons are teamed with Swarovski Rivolis & Oblong Stones (Article 4161) in Jonquil, Burgundy and Rose, Chessboard Rounds in Rose, bicones, drops and rounds in Fushia Brandy, Rose Brandy, Jonquil AB2x and Crystal Luminous Green.  The Swarovski Crystal pearls are 'Powdered Almond' a perfect accompaniment to the colour way as they have a soft pinkish hue.

The seed beads used are largely Miyuki 'Duracoat' Seed Beads and Rocailles.  Czech, size 15 seedies are also included in this design.  Stitches used CRAW, RAW, Peyote, Herringbone and Picots.

Happy Beading

Mel