Battle of the Beadsmith 2014 - it has begun

 

I was an original battler when the inaugural Battle of the Beadsmith aka BOTB12 kicked off in 2012.  Battling legend and front man Steven Weiss of The Beadsmith was the brains behind the contest.  There were 80 original battlers (or if you like invited participants) and one winner.  The uber talented Alla Maslennikova, won with her achingly beautiful design 'Baroque'..... My design Arabesque Armour made it to the Top 5.

I withdrew from the Battle of the Beadsmith aka BOTB13 due to other beading commitments and general design fatigue following my Bead Dream design marathon.  However I was still involved with the contest, but as a judge which was a difficult task in itself. Ann Braginsky was the winner for BOTB13 contest with her exceptional bead embroidered piece, 'Tenth Wave'. 

BOTB14 I am again a participant.  I have been working on my design since April 1, which was the official start date of the Battle. There are 256 Battlers in this contest, so the contest has increased considerably.  Participants from all over the world have come together to push their design selves and interact within a vibrant and friendly international beading community.

Calmly I waited until April 1 then rummaged through my stash to get to the source of my inspiration for my Battle piece.  Deflated I found it .. it was not what I had remembered it to be like.  It was smaller and not as elegant. Damn.  I began a lengthy internet search in the hope of acquiring a more dramatic 'piece' to use for Plan A.  I discovered it in Germany, expedited shipping was 170 Euros plus the price of the 'piece' and I had not even ordered the beads yet.  Plan A got shelved.

I then began work on Plan B and tinkered with it for a few days.  I soon discovered that it was not Battle worthy and put it to one side.  I waited a few days giving my muse time to roll things around and commenced Plan C.  I liked Plan C and how it was evolving and continued with the design for a couple of weeks.  Soon my interest in Plan C was waning ... I put it down and returned to Plan B with renewed interest.  Gathering more inspiration, sourcing new design elements and wandering around on Pinterest seeking images that would inspire my design pitch for that particular period in history.  But. After a few days I returned to Plan C again this time with a completely new colour way.  I was excited about it this time, very excited.  I fiddled, then ordered more materials and was off again firmly with Plan C + a new colour way as my way forward. 

The main focal for Plan C morphed unexpectedly so Plan C + new colour way did a complete right turn, so I'm calling it Plan C.2.  The motif that I completed that would have been used as part of the focal has been cast aside. I am currently planning and sketching a new focal to replace the said 'meh' focal.  It is still at the drawing on a sheet of paper stage. Time will tell if it will be the actual focal used. 

With all of this flipping around with designs there as been a flurry of activity on various sites as I acquired the necessary materials to create what my muse ordered.  Expedited shipping from the US to Australia has been called upon three times so far.

I'm hopeful Plan C.2 will be my acutal piece to enter to the contest as I am running out of time for revisions and new Plans. The funny thing about this is the original Battle, BOTB12 I knew exactly what I wanted to do. I used every day available to me to build it.  BOTB12 was quite an unremarkable process compared to my BOTB14. 

All we be revealed after June 8. 

Happy Beading.

The International Bead Awards 2015

 

Earlier this year I was invited by the (then) Editor, Verena Greene-Christ from the European beading magazine Perlen Poesis to be a member of the judging panel for the European contest, International Bead Awards 2015. (see link for more details).

Delighted, I agreed.

The judging panel consists of Melissa Ingram (me), Isabella Lam, Sherry Serafini, Martina Nagele and Helena Tang-Lim.

The details for the contest are:

Beads must be strung using thread or wire in the commonly known techniques; they can, however, be combined with other materials such as polymer clay, paper, leather, metal, etc. Lampworkers are also welcome.

 

The world — its nations and peoples are many and varied. We want to showcase this with the help of your beadwork.

  

There are two categories WEARABLE JEWELRY (for both men and women) and OBJECTS OF ART. There will be 5 winners in each category, as well as a Readers’ Choice Award

  

Entry begins: October 1, 2014
Deadline: December 31, 2014

Nominees will be announced in the Spring 2015 issue of Perlen Poesie. Winners will be presented at the 5th BEADERS BEST Bead Art Fair in 2015.

Oddly the prizes for the winners has not been advised at this time.  I will update this blog with the details as soon as I know.

 

Battle of the Beadsmith Round 3 - The Creation of Arabesque Armour

An original pencil design from my design journal of how I envisaged my then unamed Battle of the Beadsmith entry.

How was I inspired to create Arabesque Armour? This question was asked of me and in all honesty I do not really know. I do not always understand this about any of the artisan jewellery pieces that I create. Sometimes I get just an image in my mind, then process this sometimes for weeks. Visualising thread paths and possiblitilies. I will make samples using Nymo (rather than expensive Fireline) to get a feel for what my mind sees. I can be inspired by many things cloud shapes, my very large bead stash, how food and colours are displayed on a plate, vintage couture jewellery, even words can inspire me such as my latest piece "Anna's Snowrose". "Anna's Snowrose" was inspired by my Facebook friend Anna Lindell whom I met as she too is a participant of the Battle of the Beadsmith contest. Anna commented one day that my design Arabesque Armour resemebled a "rose on a stem". Later I met Snowrose Feldman another Facebook friend and with that my muse got me busy creating Anna's Snowrose (I will blog about this design another day).

A second original pencil design from my design journal, still playing with concepts.

Where did the floral focal inspiration arrive from for Arabesque Armour I will never know. Perhaps it was when I sit and create samples and play with stitches, my drawings or it could have been when I saw a magazine cover earlier this year that had a floral shaped cuff bangle.  I looked at that cuff design and thought ..'I can bead that' .. with that I snapped a pic with my iPhone, then promptly forgot about it.  Why did I even choose a floral focal?.. again, I do not exactly know. 

Pic snapped with my iPhone

I fiddled with samples for the floral focal for some time and finally went with Cubic Right Angle Weave as the stitch to bring my floral idea to life.  As only a beader will know, you may have an idea of a design in your creative mind, but actually creating it using only beads can sometimes just not be possible as ultimately the beads are boss. Design limitations and time resulted in the floral focal that became central to my Arabesque Armour design.  I knew that because it was CRAW I could embellish it and create something wonderful. The next part of the design process was how best to display the floral focal.  I decided on a beadwork frame setting that would be embellished with Swarovski elements and seed beads.

Because this piece was being designed for the Battle of the Beadsmith contest I wanted to produce my best work as the audience would be large, very large.  I wanted to include something new and different. I included CRAW attachment points on my Rivolis within the beadwork frame so that I could join them seamlessly.  I wanted wonderful curls that I could embellish and most of all I wanted to produce something totally original.  I chose a colour way that I had not ventured into before. I wanted it to say nothing more than 'fun' and colour especially pinks, lemon, purples and yellows suggest fun (to me anyway).  The Battle is about friendship and uniting artists around the world so I wanted my colour way choice to reflected just that.

For a bit of Battle fun I decided that the tassel must be detachable for Battle purposes; my thoughts being detach prior to Battle so that a flaying tassel does not interfere with sword weilding, all tongue in cheek though.

Arabesque Armour is continuing on into Round 3, this time I am paired with USA Artist Christian Rodriguez and her wonderful design "Antigua".



Here I am deciding if the floral focal should sit above or below the CRAW beadwork.

 

This is the beginning of the curls that eventually sat either side of the beadwork frame. The curls sort of happened by accident whilst I was deciding how to hang the focal.

This is me wearing my completed design, Arabesque Armour

2012 Battle of the BeadSmith

In an effort to create more awareness of some of the incredible bead artistry being executed by bead masters worldwide, Steven Weiss (Marketing Manager for The Beadsmith) thought it would be fun to set up a beading "Tournament" where original works could be viewed, shared, and celebrated both by the participants, and the beading public alike.

64 seed bead artists were invited to participate in an elimination "Tournament" to determine which piece of their original beadwork best captures the imagination of 101 of their fellow designers, specialty bead shop owners, and members of various beading magazine editorial staffs.

I, along with Patrick Duggan, Joanne Browne, Neva Brown and Lauren MacGregor were all selected for inclusion within this Tournament and collectively we are representing Australia in this event. I personally am not only honoured but flattered with the inclusion as I am keeping company with some extremely talented artists from around the world.

Just cast your eye over the incredible Participants list of beading artists!

May 14th sees random artist pairings created, establishing a first round of competition, consisting of 32 artists vs. artist "contests". (For example, round one might have the work of Californian Linda Roberts paired up against the work of Vermont's Nancy Dale, and so on.)

Artists will have seven weeks from the announcement of the first round pairings to create, a single piece of original beadwork. The 62 competitors not involved in a particular round one "contest", plus 41 invited judges, will vote for the piece that best captures their imagination. A majority of at least 85 of the possible 103 total voters will be enough to determine a winner. All necklaces, bracelets, earring, brooches, headpieces, belts, handbags, or any other wearable adornments are acceptable for submission. The deadline for all of the submissions, by the artists, is July 10th, Tuesday

The 32 winners of round one will be randomly paired again in one of the 16 new "contests" in round 2 and the voting process will begin again.

The 8 winners of round two are again randomly paired in 4 new round 3 "contests" to determine the final four competitors.

The 4 winners of round 3 are randomly paired in two "contests" to determine the final two competitors.

Round 4 determines the winner.......

Competitors can use almost any beads or materials, so long as the piece falls under the umbrella of beadweaving, or bead embroidery. Japanese seed beads***, Metal seed beads, Preciosa Czech seed beads, semi precious stones, Swarovski and Preciosa Crystal, fire polished glass, and individually created art glass and ceramic beads etc are all perfectly acceptable.

***As the Beadsmith has a relationship with the Miyuki Company of Japan, they have requested that competitors preferably use Miyuki Seed beads when using Japanese beads for this competition.

The Participants:


Olga Petterson-Sweden
Sigifredo Contreras-Mexico
Linda Roberts- USA
Heather Kingsley Heath- England
Sharayah Sheldon-USA
Helena Tang-Singapore
Nancy Dale-USA
Cynthia Newcomer Daniel-USA
Patrick Duggan-Australia
Marsha Wiest Hines- USA
Carol Dean Sharpe-USA
Annie Hatvani-Hungary
Christina Neit-USA, Sue Horine-USA
Ann Braginsky-Israel
Lea Palickova-Czech Republic
Alexandra Sydorenko-USA
Betty Stephan-USA
Callie Mitchell-USA
Christian Rodriguez-USA
Eva Dobos-Hungary
Katka Vaclavikova-Czech Republic
Misan Tejre-Sweden
Kinga Nichols-USA
Melissa Ingram-Australia
Anneta Valious-France
Mikki Ferrugiaro-USA
Miriam Cielo Shimon-Israel
Amy Katz-USA
Elke Leonhardt Rath- Germany
Irina Chikineva-Russia
Edgar Lopez Disenos-Dominican Republic
Kassie Inman-USA
Orsolya Füzesi-Hungary
Jill Thomas-England
Ibolya Ingesné Barkóczi-Hungary
Éva Csizmadia Lajosné-Hungary
Nausikka Dahllof-Sweden
Nella Moskvichjova-Russia
Julia Turova-Russia
Alla Vizir-Ukraine
Lynn Davy-England
Dini Alves-USA
Guzialia Reed-Japan
Alla Maslennikova -Russia
Sandra Dokter van Esveld-The Netherlands
Olga Haserodt-Germany
Joanne Browne-Australia
Jennifer Chasalow VanBenschoten-USA
Rosita Pisarchick-USA
Roxan O'brien USA
Christine Boyer Maj-USA
Kathy King-USA
Susan Brackett-USA
Olga Shumilova-Russia
Neva Brown-Australia
Ella Des- Belgrade Serbia
Katherine Gezey-Ukraine
Lauren Macgregor -Australia
Hannah Rosner-Ohio
Ekaterina Kalinina-Russia
Marta Koudelova-Czech Republic
Terri Richards-USA
Marina Nosova-Russia

The Judges:

Sabine Lippert-Germany, Smadar Grossmann-Israel, Maggie Roschyk-USA, Adele Rogers Recklies-USA, Diane Hyde-USA, Jean Campbell-USA, Patrizia Tager-Israel, Zoya Gutina-USA, Jana Tarhala-Finland, Kerrie Slade-England, Laura Boudloche Zeiner-USA, Cath Thomas-Switzerland, Heather Collin-South Africa, Claudia Schuman-Germany, Chloe Menage-England (Bead Magazine Editor), Laura Andrews-USA, Kathleen Mccabe-Elsey- USA, Julia Gerlach-USA (Bead and Button Magazine Editor), Diane Fitzgerald- USA, Verena Greene-Christ- Germany (Perlen Poesie Magazine), Jean Power- England, Ana Garcia-USA, Paulette Rosner Baron-USA, Amy Blevins- New Jersey, Kelly Nealon-Australia (Australian Beading Magazine Editor), Melinda Barta-USA (Beadwork Magazine Editor), Karin Nilsson-Sweden, Jo Lochhead-Scotland, Kandra Norsigian-California, Kenj Katsuoka-Japan (Miyuki Company), Juliet Browse-England, Jamie Cloud Eakin-USA, Pamela Hawkins-USA (Bead Design Studio Magazine Editor), Marjon Donker-The Netherlands ( Editor Polymer To Art Magazine), Kate Bannister Tracton- USA, Deb Moffet Hall-USA (Bead- Patterns The Magazine & Quick Stitch Peyote Card), Barbara Conrad-USA, Lea Avroch-USA, MaryLou Holvenstot-USA, Anna Elizabeth Draeger-USA, Galina Pchelkina-Russia (Editor of Чудесные мгновения Magazine)