Showing posts with label Beading Patterns. Show all posts
Showing posts with label Beading Patterns. Show all posts

Friday, February 1, 2013

P to the Power of 7

P to the Power of 7 .. What's that you say?  It is a term born on a mining site during the very difficult commissioning phase of the Murrin Murrin Cobalt and Nickel mine, Western Australia.  A place that had epic problems due to design faults, which eventually resulted in legal action.
 
Prior, Planning & Preparation Prevent a Piss Poor Performance ... is the long version of P7.
 
Crude in some respects, but remember this term was created on an isolated mine site which was a male dominated work place.
 
I designed the 'Painted Daisy' ring prior to Christmas 2012, made four samples and was very pleased with the design and excited to share it with Digital Beading magazine readers. 

It was the Christmas school holidays, I was stressed it was hot, my boys were being their usual badly behaved, shouting, ever hungry, bored selves.  The deadline for the delivery of my project was the end of January 2013. It was very hard to think, let alone have time to work uninterupted on the PC with both of my boys at home.
 
I thought to myself, this design is nice and quick (I can bead one up in just over an hour) so it will be no trouble to write up.  I will leave it untill the last week of the school holidays before I begin the tutorial/pattern .. confidently I thought ..it will be ok.
 
Whilst I felt I had addressed and throught about the P7 I did not factor in any 'what if's' .. ie variables that are not within my control.
 
So .. what if..?
 
My boys return to school, and I start writing the tutorial with only days till the deadline, then discover that it is impossible to articulate parts of the design into a written and diagrammatical format.
 
What if I had to re-design the 'Painted Daisy' ring so that I could in fact articulate the design into a written and diagrammatical format.
 
What if I started writing up the tutorial, took a break and decided to clean up some software installations that I perceived to be not useful.
 
What if I deleted several programs only to discover that I had deleted the files that control the resolution for my oversised monitor, so that when viewing documents they were stretched across the monitor and impossible to work on..
 
What if it took all day to reinstall all the software that I deleted before I was able to use the PC again.
 
What if I took all the photographs of the steps to make the design, downloaded them, edited them, named them, inserted them into the document only to discover that I had created the sample with 12 units in the bezel rather than 13 units.
 
What if I had to make the sample again, and wait for the camera batteries to charge, photograph all the steps a second time, download the 2nd set of photographs, edit the new photograpahs and name the new photographs.
 
What if I was about to start the tutorial again with the new images and then got a phonecall from the school, saying my son was ill and needed to be taken home.
 
What if I started writing that project again stayed up really late two nights in a row, the second night until after midnight only to be woken up at 2am to clean up vomit, then woken up again 2 hours later with that same sick child that came home early from school that day. 
 
So a timely note to self is, when you have the time well in advance to prepare something that has a deadline, use that time.  You can use the P7 all you want but there will always be What If's.
 
Happy Beading..Mel
 

Saturday, May 5, 2012

4 Year Anniversary with Australian Beading magazine


This is cover of the April 2012 edition of Australian Beading magazine, Vol 6. No.2.  This edition is especially poignant for me as both a project contributor and a beading artist.  The Editor, Kelly Nealon and the team announced me to the readers of the magazine as an 'Internationally Acclaimed Beading Artist'. 

It felt peculiar too have such high accolades not only spoken but printed on the cover of a magazine! 

I was emailed the .pdf of the cover prior to it's release but I did not see the top caption at first .. just saw my Spanish Dancer earring design (top right) on the cover.  Terrific .. I thought .. wow .. Mel, that is 5 times on the cover of this popular bead mag.  I looked at the mag cover at least 3 times again before I noticed the thin pink line at the top of the mag with white letters.  My first reaction was a big belly laugh .. I don't know why .. it just felt right.  I still now feel a little uncomfortable with the title.  I try to push aside my insecurities and difficulties with 'self promotion' I literally forced myself to include the title on such things as my Linked profile, my website, Facebook and other networking threads. My thought process being well if Australian Beading feel this way .. then so must I.

I thank the magazine deeply for their support of my jewellery projects and articles.  I have been writing for this publication for exactly 4 years this April.  It is fitting too that the April edition, my 4th year as a contributor that I have grown to become an 'internationally acclaimed beading artist'.

ps for those wondering how this came about .. two of my beadwork pieces were included in the prestigous 500 Series by Lark Publishing.  Lark Publishing a US publishing house will release on August 2012 'Showcase 500 Beaded Jewelry'.  I am extremely proud to be a part of this publication. I have two beadwork pieces currently in the US with the Bead & Button team awaiting further jurying for both the Seed Bead Category and the Crystal Jewelry Category.  I have one other piece of beadwork also in the US with Fire Mountain Beads & Gems as a finalist with their Swarovski Crystal Jewelry Competition.

pss The Spanish Dancer earring pattern/tutorial appears on page 108.

Sunday, November 13, 2011

SBJ and Australian Beading magazine


The Day Before Spring Necklace
I am thrilled to share with you my delight at having my design 'The Day Before Spring' necklace & project featured on the front cover of Australian Beading magazine Vol 5 No 5 (October 2011). This is such an amazing honour and my thanks go to Universal Magazines, Australian Beading Editor Kelly Nealon, her team and all the readers of this wonderful magazine. 


Several other designs and projects such as 'Vintage Venetian Ruffle Earrings' (my very first front cover); (pg. 56 Vol 1 No 5), 'Marcia's Lace' necklace (pg 75 Vol 5 No1), 'Pretty Peruvian Pacific Opal Bracelet' (pg. 23 Vol 5 No2) and a MasterClass project "Metallic Moody Blues Demi-Parure' (pg. 76 Vol 5 No 4) have all featured on the front cover of Australian Beading.

Vintage Venetian Ruffle Earrings
Pretty Peruvian Opal Bracelet
Marcia's Lace


Metallic Moody Blues Demi Parure