Japanese Beads - MIYUKI™ and TOHO™

New to market, Japanese beads are not produced as regularly as Czech glass beads. However I felt it necessary to create this blog as a reference tool, as and when new MIYUKI or TOHO bead finishes, shapes etc are released; they will be included here. ✍

"Seed Bead" is a generic term for any small bead be it Czech or Japanese. There are numerous types of Japanese beads in all shapes and sizes such as Round, Cylinder, Hexagon, Bugle, Triangle, Cubes, Rectangle, Peanut shaped and Drops.  

There are two premium manufacturers of Japanese seed beads, MIYUKI and TOHO. MIYUKI was the very first Japanese company to manufacture beads so I will begin with MIYUKI. 

MIYUKI offer a large range of seed beads ranging in sizes; as does TOHO. MIYUKI named their round seed beads rocailles and their small tube/cylinder like beads Delica®. TOHO named their equivalent tube/cylinder like beads TOHO Treasures® TOHO have another line of tube/cylinder like beads called Aiko (named after the wife of the TOHO beads founder). Aiko beads are precision cut beads and as such are more expensive than the Treasures® and are not so readily found online or in stores. Aiko beads are available in both smooth and cut styles but are only available in size 11º; there are 100's of colors.

MIYUKI have an equivalent, but smaller sized bead called a Delica® precision cut 15º (DBS).  See the example Pic 01 from the MIYUKI website that demonstrates what can be achieved with the precision, smaller beads.

Pic 01 Fringe made with DBS swing smoothly just like silk thread.

Handsewn Sample Cards of both MIYUKI and TOHO beads are available through bead stores. They are a work of art in themselves; tiny rows of little beads handsewn to the sample cards to display every color and every color has a unique number.

MIYUKI Delica® bead numbers begin with DB (which actually stands for Delica® Beads). TOHO Treasures® bead numbers start with an A (A stands for ?). MIYUKI Delica® beads and TOHO Treasures® are available in both faceted and smooth styles. MIYUKI Delica® beads have a larger range of sizes and styles than TOHO Treasures®. 

This link will take you to the MIYUKI website to view color charts of every bead that MIYUKI manufacture: https://www.miyuki-beads.co.jp/english/seed/e-samplecard.html

This link will take you to the TOHO website to view color charts of every bead that TOHO manufacture: http://www.tohobeads.net/sample-card/

The MIYUKI Long Magatama (LMA) bead is available in one size 4x7mm and is available in 147 colors. MIYUKI Magatama (MA) beads are available in three sizes; 3mm, 4mm and 5mm. TOHO Magatamas claim they are available in 5 sizes; 2.5mm, 3mm, 3.5mm, 4mm and 5mm.  However, the TOHO Color Chart for Magatamas has colors for only three sizes 3mm, 4mm  and 5mm; these beads are available in 41 colors. 😕   #confusedface

MIYUKI has three drop beads; Drop (DP) 2.8mm and the larger (DP) (F) 4.5mm beads, and the largest Long Drop (LDP) bead which measure 3x5.5mm. TOHO have only one drop bead it measures 3.5mm.  I cannot locate a TOHO Color Chart for these beads.

The MIYUKI Tila™ bead is a flat, thin, square 2-holed bead 5x5x1.9mm. MIYUKI advise caution when handling the beads as they can be fragile when dropped. There are more than 120 colors available.  Then came the MIYUKI Half Tila™ bead which is as the name implies is half the size of the original MIYUKI Tila™ bead 5x2.3x1.9mm. TOHO have no equivalent of the Tila™or Half Tila™ beads.

**MIYUKI has launched a new bead called Quarter TILA Beads. The size is 5.0x1.2x1.9mm with 2 holes.
MIYUKI Berry beads are peanut shaped beads with one hole; that are available in two sizes 2.5x4.5mm and the larger sized 3.3x5.5mm. Currently there are 33 colors available. TOHO have no equivalent of the Berry bead; there is a Czech peanut shaped bead called a Farfelle® (it comes in two sizes 3.2x6.5mm and 2x4mm).  The Beadsmith released the Butterfly bead which again resembles the Berry Bead.  It is only available in neon colors and one size 4x6mm (it has now become elusive so I'll need to chat with The Beadsmith). Matsuno have a peanut shaped bead, measuring 2x4mm. See Pic 02 for a visual comparison of these beads.

Pic 02 - Image from Robins Beads UK

MIYUKI Sharp Triangle Beads (STR). The vertex of the triangle is sharper than their regular MIYUKI triangle beads which have a rounded vertex. There are three sizes (10º , 8º and 5º) and 10 colors are available.  TOHO state on their Shape Chart that they have 7 sizes of triangle beads; 14º or 1.6mm, 12º or 2mm, 11º or 2.2mm, 10º or 2.4mm, 8º or 3mm, 5º or 5mm and 3º or 7mm.  However, TOHO's Color Chart for these sized beads states there are no colors for the size 14º or 1.6mm, no colors for size 12º or 2mm, 78 colors for size 11º or 2.2mm, 5 colors for size 10º or 2.4mm, 58 colors for size 8º or 3mm, 23 colors for both size 5º or 5mm and size 3º or 7mm. The hole in the TOHO Triangle beads is triangular unlike the MIYUKI variety which is round, see Pic 03.

Pic 03 Toho bead holes

Here is abother helpful video, this one is from Beadaholique offering information and discussing the differences between the triangle beads:-

https://youtu.be/mLssem05NEQ?list=PLdGWVJ-tb1bE6DVuzL7OM4odLHjsDjFTc

MIYUKI Unions® beads are rocailles (seed beads) that are coated with Czech Glass finishes. MIYUKI Unions® beads are extremely uniform in size, shape, and color. MIYUKI Unions® beads are only available in Size 11º there are 19 colors available with sizes 6º, 8º and 15º 'coming soon', no actual pre-order date seems to be available. TOHO's equivalent of these beads are their TOHO Hybrids beads and their TOHO SuperNova Hybrids Limited Edition beads. 

        

MIYUKI Unions® & TOHO SuperNova Hybrids plus a close up of Toho's Apollo Gold coated beads 😍 

October 2016' MIYUKI released two new bead shapes the Slender Bugle bead and a Rectangle bead. The Slender Bugle (SLB) bead is available in two sizes 1.3x3mm and 1.3x6mm; they are available in 21 colors. The Rectangle bead (RB) is size 4x9mm and has 28 colors to choose from. MIYUKI have other Bugle bead sizes, please view the MIYUKI Bead Chart below ⬇ for more information about these beads.

TOHO have plenty of choice when it comes to Bugle beads, see the TOHO Shape Chart for more information ⇩.

The TOHO Demi Round™ is a thinner version of the traditional size 11º and 8º round seed bead with the same hole size and diameter. MIYUKI have no equivalent of this bead.

Toho Demi Round™

TOHO Takumi® beads have been available since 2013 and have a stringing hole 15⁒ larger than TOHO's  size 11º round beads. TOHO Takumi® LH beads are available in size 9º. MIYUKI have no equivalent of the TOHO Takumi® beads other than their Macrame beads (7mm hole) and their size 1º round rocaille bead.

Both MIYUKI and TOHO have round seed beads that have two types of different shaped holes; they are a round hole and a square hole. MIYUKI offer it in both their size 11º and 8º round beads and two of their Bugle beads. TOHO's size range of beads available in both round and square hole, round seed beads is significantly larger than the MIYUKI range (see the TOHO Shape Chart for more information) ⇩.

Only TOHO offers 3-Cut beads in sizes 15º, 12º, 9º and 8º and two Charlotte bead sizes 15º and 12º. Charlotte beads have one cut on the bead which acts like a facet, giving sparkle to the bead. 3-Cut beads have three cuts giving even more sparkle to the bead. MIYUKI have no equivalent of these beads.

MIYUKI Duracoat-Galvanised® is a durable clear coating for dyed or galvanized beads. It is a thicker and stronger coating that is used for standard galvanised beads. MIYUKI Duracoat-Galvanised® beads are available size 11º, 10º, 8º and 6º beads and are available in 22 colors. 

TOHO have an equivalent galvanised coating for their beads, called PermaFinish® PermaFinish® beads feature a protective coating that helps prevent fading, scratching, and tarnishing. Available in over 60 colors including Silver-Lined, Ceylon, and Galvanized.

MIYUKI offer Picasso Coating on a range of their beads, but it is only available for sizes 8º and 6º in round Rocailes, 13 colors are available. TOHO have Picasso Coating on a range of their beads as well.

Picasso coating effect

TOHO released Glow-in-the-Dark beads to the market in 2016. 12 colors are available in sizes 11º and 8º only. MIYUKI have no equivalent of these beads.

TOHO have semi-glazed seed beads that feature a partially matt, lightly textured finish, These semi glazed beads are available in 24 colors both regular and rainbow finishes; in sizes 11º and 8º only. MIYUKI have no equivalent of these beads.

Toho semi-glaze finish promo

MIYUKI Cotton Pearls are made by using compressed cotton with a pearl coating instead of resin, crystal or glass, so the weight of the beads is much lighter than other pearls (such as Preciosa or Swarovski). There are 14 colours and they are available in sizes 6mm, 8mm, 10mm, 12mm, 14mm, 16mm, 18mm, 20mm, 25mm, 30mm and an 8x11mm drop.

MIYUKI Shrink Pearl is also coated with "Baroque" on an ABS resin base. There are 7 colors available in 8mm, 10mm and 12mm. The Shrink Pearl looks similar to pearls which were used in an antique or vintage costume jewellery. TOHO have only plastic pearls.

MIYUKI Shrink Pearl

MIYUKI Baroque beads

MIYUKI Baroque beads have a pearl coating, but the surface of these "Baroque" beads has a very unique, rugged texture which reflects the light softly. There are 7 colors available in two sizes, 6º and 5º. It is interesting to note that the edge of every bead-hole is cleaned by hand 😲  #astonishedface.

MIYUKI manufacture 50m (55 yard) spools of 100% nylon twisted beading thread which is available in 18 colors and is approx 330dtex. It has a strong, slick coating, so that it does not need waxing or other lubrication.

TOHO manufacture 50m (55 yard) of nylon beading thread called One-G; it is available in 12 colors.  This nylon thread is strong, easy to thread, shred-resistant and won't fray as easily as other nylon threads. It is treated with an anti-tangle agent, so it is easy to work with. It is my personal favourite nylon beading thread. 💕 

⬇ Sizes and Shapes of MIYUKI Seed Beads ⬇

Type	Section	Size  mm	Hole Size mm	Shape
Round Rocailles (R.R.) 15/0　Extra Small		1.5	0.7
Round Rocailles (R.R.) 11/0		2.0	0.8
Round Rocailles (R.R.)  8/0		3.0	1.1
Round Rocailles (R.R.) 6/0 Extra Large		4.0	1.5
Round Rocailles (R.R.)  5/0 E Beads		5.0	2.0
Round Rocailles (R.R.) 1/0		6.5	2.9
Hexagon 11/0(2Cut)		2.0	0.8
Hexagon 8/0 (2Cut)		3.0	1.1
Bugle Beads 3mm		1.5	0.7
Bugle Beads 6mm		1.7	0.8
Bugle Beads 12mm		2.4	1.1
Long Bugle Beads 30mm		2.5	1.2
Drop Beads  2.8mm(DP)		2.8
Drop Beads  3.4mm(DP)(F)		3.4	0.8
Long Drop Beads 3.4mm(LDP)		3*5.5
Magatama Beads 3mm(MA)		3.0
Magatama Beads 4mm(MA)		4.0	1.3
Magatama Beads 5mm(MA)		5.0
Long Magatama Beads 4x7mm(LMA)		4x7	1.4
Triangle Beads 10/0 (TR)		2.5	0.9
Triangle Beads  8/0(TR)		3.0	1.1
Triangle Beads 5/0(TR)		5.0	1.8
Sharp Triangle Beads 10/0(TR)		2.1	0.8
Sharp Triangle Beads 8/0(TR)		2.6	1.0
Sharp Triangle Beads 5/0(TR)		4.2	1.3
Square Beads 1.8×1.8×1.8 （SB）		1.8x 1.8x 1.8
Square Beads3×3×3（SB）		3x3x3	1.3
Square Beads 4×4×4（SB）		4x4x4	1.4
Twist Beads Bugle 2.0 x 6mm (TW)		2.0	0.8
Twist Beads Bugle 2.0 x 9mm (TW)		2.0	0.8
Twist Beads Bugle 2.0 x 12mm (TW)		2.0	0.8
Twist Beads Bugle 2.7 x 12mm (TW)		2.7	1.1
Twist Beads Bugle 3.4 x 12mm (TW)		3.4	1.1
Twist Beads Bugle 2.7 x 20mm (TW)		2.7	1.1
Twist Beads Bugle 3.4 x 20mm (TW)		3.4	1.2
Twist Beads 2Cut 10/0(TW)		2.2	0.9
Macrame Beads  (MAC)		7.0	3.0
Delica Beads  (S)  Round 15/0(DBS)		1.3	0.65
Delica Beads (S)  Cut 15/0(DBSC)		1.3	0.65
Delica Beads  Round 11/0(DB)		1.6	0.8
Delica Beads Cut 11/0(DBC)		1.6	0.8
Delica Beads (M)  Round 10/0(DBM)		2.2	1.0
Delica Beads (M)  Cut 10/0(DBMC)		2.2	1.0
Delica Beads (L) Round 8/0 (DBL)		3.0	1.5
Delica Beads (L) Cut 8/0 (DBLC)		3.0	1.45
3Cut Beads  10/0		2.0 - 2.2	0.7
TILA™BEADS		5x5 x1.9	0.75 - 0.85
Half TILA™BEADS		5x2.3x1.9	0.8
Berry Beads		2.5x4.5

⇩  TOHO Bead Shape Chart ⇩

Brisbane Beaders Workshop 2nd August 2014 - Butterfly Kisses Earrings with Melissa Ingram



Note: The colour ways Olivine (non special effect) and Crystal Cathedral (special effect) are represented in the image.

Butterfly Kisses earrings have been designed for the Brisbane Beaders first workshop.  The project is suitable for Beginners and Intermediate Beaders.

The Butterfly Kisses design will assist you to understand the importance of tension within a project and expose the novice to Czech SuperDuo's & O Beads.

The workshop will include a lecture that discusses the types of beading threads available on the market, beading needles, understanding bead sizing, discuss the basic beading stitches plus a demonstration of peyote stitch. Lecture notes will be available.

The Limited Edition Butterfly Kisses earring kit ranges in price from $45 (non Special Effect Briolettes) to $55 (Special Effect Briolettes). Swarovski special effect (SE) briolettes were sourced internationally to offer 6 exciting colour ways to choose from. The kit consists of a variety of premium components:

• 1 pair Quality Gold filled pierced earring findings.
• 2x Swarovski Crystal Briolette Pendants - Olivine (non-SE), Crystal Sahara (SE), Crystal Cathedral (SE), Aquamarine Golden Sahara (SE), Aquamarine Green Sphinx (SE)and Olivine Sphinx (SE).
• 4 x Swarovski Crystal Pearls
• Seed beads in sizes 15 (24Kt gold plate, 11 and 6. (Permanent Galvanised metallic seed beads only) 
• Czech SuperDuoTM beads & O BeadsTM
• Miyuki Delicas size 11
• A printed colour pattern and tutorial. (A digital copy is available on request).

Beading Mats, Beading Thread (Fireline 6lb), Microcrystalline Wax and Needles (sizes 12 & 15) will be available for sale on the day of the workshop. Payments can be made by cash or Eftpos at the workshop. Sales are open from 9am to 9.25am. The Workshop commences sharply at 9.30am.

The fee for the workshop is $50 per person.

Payment for the Workshop and Kit must be made prior to the workshop via direct deposit or Paypal. This will secure your place at workshop.

There is plenty of free parking on site.  Tea and Coffee will be provided. 

Please note there is a minimum of 10 people required for the Workshop to go ahead as scheduled; there is a maximum of 18 persons able to attend the workshop. This allows enough attention for those who require extra coaching.

Butterfly Kisses Earring Workshop with Melissa Ingram details:

Where: Unit 16/27 South Pine Road, Brendale
When:  2nd August 2014
Time:  Sales from 9.00am to 9.25am. Workshop 9.30am to 1.30pm.

Contact Melissa Ingram at brisbanebeaders@gmail.com to register your place at the Workshop.

Our website address www.brisbanebeaders.com.au

 

Creating 'Athena' .. Battle of the Beadsmith 2014

Battle of the Beadsmith 2014 was not the smooth design ride that the inaugural BOTB12 was for me. I knew without hesitation what I needed to do for that contest. Arabesque Armour reached the Top 5 which was an incredible achievement owing to the level of talent within the group.  BOTB14, not so easy, not so easy at all.

My initial inspiration for the BOTB14 was an infinity knot as a focal, I had no clue other than that! I did know I wanted the clasp to be bead embroidered. I achieved the infinity knot that was in my minds eye .. but once I started arranging the jewels and adding embellishment to the knot .. it began to look less and less of a battle worthy design.  It got shelved.  Below are three of the many design shuffles.

New plan.... 

I knew what the colorway was going to be .. turquoise and peridot softened with creamy pearls.  Textually I had to include my new love Shibori silk ribbon. I wanted the design to be beadwoven with the inclusion of bead embroidery.  After many trials I was able to create a bezel using CRAW for all of my navette shapped stones. It was nice and tight and gave me a good surface for embellishment. I wanted to use rose gold as my metallic highlight.  I bought a few hundred rose gold bicones from my local bead store .. I added them to the design.  Then I noticed that the rose gold coating was breaking off in tiny flakes on the bicones, leaving ugly black flea bites in their place.  I knew the problem would only get worse and this would compromise my design.  5 hours later every single bicone was removed from my design. Will I use 4mm rose gold bicones again ..um no.

Whilst I was working on the main part of the neckpiece I was also working on the bead embroidered clasp. This is the only part of the design that I knew for certain from the beginning of the project.  The Shibori ribbon was supplied by (Lisa Kan) and the Arashi ribbon (Deborah Weaver).  I used Czech size 15 seed beads to outline my floral design. The clasp joins the neckpiece via snaps attached to the underside of the motif.  These attach with the other half of the snaps to the Shibori ribbon straps.

The bead embroidered clasp 'under construction'

After six weeks of expediting elements from the US, lots of worrying, lots of sketching of my thoughts, undoing and redoing parts of the design... it was finished.  I had booked my model and photograhphy session even before completing the design.  This gave me an absolute deadline and allowed the photographer time to edit the photos and allow for any reshoots. 

Deciding which colour Shibori to use for the necklace strap.  

Why call the piece Athena .. The Goddess Athena from ancient Greek mythology was the custodian of War (although she did not condone it, she was the Goddess of Inspiration and Weaving.  All symbols that in part define the Battle of the Beadsmith.

One of the many designs for the necklace strap that were not used.

These are a selection of photos from the Photo shoot, May 2014. Photography credits Frank Hurrell of Imago Photography.  Athena managed to move onto the next round, Round 2. I wish all Battler's much success.

The bead woven clasp

6 out of 6!

All 6 books that have my work included within their pages have now been published!  It took almost three years of waiting for all 6 to be published.  The Beaders Guide to Designing Jewelry by Margie Deeb is my number 6 addition. 

I have an honoured, proud, giddy and a 'still can't believe it sort of feeling' about the publications.

Back in late 2011 I submitted two submissions to the call from Lark Books for 'Showcase 500 Beaded Jewelry'.  To my delight and shock they were both curated in.  Melbournian (neckpiece) and Magic Carpet Ride Cuff were published!

Then there was another call from Lark Books, but this time for 'Showcase 500 Art Necklaces'.  I submitted a single submission, Arabesque Armour.  She was accepted! 

Arabesque Armour is my most acclaimed piece of beadwork.  She was created for the inaugural Battle of the Beadsmith 2012 of which she reached the dizzy heights of Top 5.  She was then selected to be featured as part of an article along with other selected beadworks from the Battle in the German beading magazine 'Perlen Poesie'. I entered Arabesque Armour along with 'The Jewelled Net of Indra' into the 2013 Bead Dreams contest, both were Finalists.  Finally, Arabesque Armour was selected to feature in the book 'Marcia DeCoster Presents'.

 

Next, an email from the lovely Anneta Valious inviting me to submit images of 'Jacaranda Nights'. Jacaranda Nights is a Swarovski zipper neckpiece that was created for an Australian Swarovski contest.  No seed beads were allowed, only Swarovski elements.  She did not place.  Jacaranda Nights was selected to feature in the Gallery section of Anneta's book 'Soutache 30 Gorgeous Bead Embroidery Designs by Anneta Valious'.

Hepzibah's Pendulum was created for the Gallery section of Marcia DeCoster's second book 'Beads in Motion.

 

The lovely Marcia DeCoster invited me to participate as one of 30 beaders to share our beading techniques and inspirations for her third book. 'Marcia DeCoster Presents Interviews with 30 Beaders on Inspiration & Technique'.

 

Margie Deeb emailed me asking to use images of my previously published 'Magic Carpet Ride Cuff' (published Showcase 500 Beaded Jewelry - Lark Books) for her new book 'The Beaders Guide to Jewelry Design'.  Of course I said yes! 

 

 

Thank you so very much to Ray Hemachandra, Chungi Choo, Lark Books, Anneta Valious, Marcia DeCoster and Margie Deeb. 

 

What an incredible honour and priviledge to have my work included within the pages of your magnificent beading books.

 

A special thank you to my dear beading pal, Patrick Duggan is well in order as well.

 

 

 

 

 

Battle of the Beadsmith 2014 - it has begun

 

I was an original battler when the inaugural Battle of the Beadsmith aka BOTB12 kicked off in 2012.  Battling legend and front man Steven Weiss of The Beadsmith was the brains behind the contest.  There were 80 original battlers (or if you like invited participants) and one winner.  The uber talented Alla Maslennikova, won with her achingly beautiful design 'Baroque'..... My design Arabesque Armour made it to the Top 5.

I withdrew from the Battle of the Beadsmith aka BOTB13 due to other beading commitments and general design fatigue following my Bead Dream design marathon.  However I was still involved with the contest, but as a judge which was a difficult task in itself. Ann Braginsky was the winner for BOTB13 contest with her exceptional bead embroidered piece, 'Tenth Wave'. 

BOTB14 I am again a participant.  I have been working on my design since April 1, which was the official start date of the Battle. There are 256 Battlers in this contest, so the contest has increased considerably.  Participants from all over the world have come together to push their design selves and interact within a vibrant and friendly international beading community.

Calmly I waited until April 1 then rummaged through my stash to get to the source of my inspiration for my Battle piece.  Deflated I found it .. it was not what I had remembered it to be like.  It was smaller and not as elegant. Damn.  I began a lengthy internet search in the hope of acquiring a more dramatic 'piece' to use for Plan A.  I discovered it in Germany, expedited shipping was 170 Euros plus the price of the 'piece' and I had not even ordered the beads yet.  Plan A got shelved.

I then began work on Plan B and tinkered with it for a few days.  I soon discovered that it was not Battle worthy and put it to one side.  I waited a few days giving my muse time to roll things around and commenced Plan C.  I liked Plan C and how it was evolving and continued with the design for a couple of weeks.  Soon my interest in Plan C was waning ... I put it down and returned to Plan B with renewed interest.  Gathering more inspiration, sourcing new design elements and wandering around on Pinterest seeking images that would inspire my design pitch for that particular period in history.  But. After a few days I returned to Plan C again this time with a completely new colour way.  I was excited about it this time, very excited.  I fiddled, then ordered more materials and was off again firmly with Plan C + a new colour way as my way forward. 

The main focal for Plan C morphed unexpectedly so Plan C + new colour way did a complete right turn, so I'm calling it Plan C.2.  The motif that I completed that would have been used as part of the focal has been cast aside. I am currently planning and sketching a new focal to replace the said 'meh' focal.  It is still at the drawing on a sheet of paper stage. Time will tell if it will be the actual focal used. 

With all of this flipping around with designs there as been a flurry of activity on various sites as I acquired the necessary materials to create what my muse ordered.  Expedited shipping from the US to Australia has been called upon three times so far.

I'm hopeful Plan C.2 will be my acutal piece to enter to the contest as I am running out of time for revisions and new Plans. The funny thing about this is the original Battle, BOTB12 I knew exactly what I wanted to do. I used every day available to me to build it.  BOTB12 was quite an unremarkable process compared to my BOTB14. 

All we be revealed after June 8. 

Happy Beading.

Three in Three Years ... the dream faded.

2012 and 2013 were consecutive and successful beading years for me.  Four of my beadwork designs were selected and made their long journey to Milwaukee USA from Australia to be inside the Cabinet of Dreams. 

What cabinet is this I'm talking about you ask?? .. At the entrance to the Bead & Button show every year is a glass cabinet that contains the Finalists and winners of the Bead Dreams contest for that particular year. It is hallowed ground for beaders.

This year I beaded a single design to enter the Bead Dreams 2014 contest with. Dearly hoping I could achieve 'Three in Three Years with my work being chosen to be either a Finalists or even a winner of this epic contest.

Now I understand completely that there were no guarantees that my work would have even made the cut this year, but everyone can dream .. right .. This is the Bead Dream contest after all.

Despite gruelling hours of beading right up to the last few hours before the contest closed I was unable to complete my design. I packed it away and sulked for a few days.

I achieved Two in Two years and I am grateful and happy with that achievement. I will enter my 'as yet unfinished' design into the Bead Dreams 2015 contest. I have more than plenty of time to finish it graciously.

I have many friends whose work has already been chosen as Finalists. Currently their work awaits final judging that will be announced around when the Bead & Button show kicks off. I wish all of them the very best of luck.

Happy Beading my friends .. x

Finalist & Crystal Jewelry 3rd place Winner
Bead Dreams 2012

Finalist & Seed Bead Jewelry 3rd place Winner
Bead Dreams 2012

Finalist
Bead Dreams 2013

Finalist
Bead Dreams 2013

The International Bead Awards 2015

 

Earlier this year I was invited by the (then) Editor, Verena Greene-Christ from the European beading magazine Perlen Poesis to be a member of the judging panel for the European contest, International Bead Awards 2015. (see link for more details).

Delighted, I agreed.

The judging panel consists of Melissa Ingram (me), Isabella Lam, Sherry Serafini, Martina Nagele and Helena Tang-Lim.

The details for the contest are:

Beads must be strung using thread or wire in the commonly known techniques; they can, however, be combined with other materials such as polymer clay, paper, leather, metal, etc. Lampworkers are also welcome.

 

The world — its nations and peoples are many and varied. We want to showcase this with the help of your beadwork.

  

There are two categories WEARABLE JEWELRY (for both men and women) and OBJECTS OF ART. There will be 5 winners in each category, as well as a Readers’ Choice Award

  

Entry begins: October 1, 2014
Deadline: December 31, 2014

Nominees will be announced in the Spring 2015 issue of Perlen Poesie. Winners will be presented at the 5th BEADERS BEST Bead Art Fair in 2015.

Oddly the prizes for the winners has not been advised at this time.  I will update this blog with the details as soon as I know.